Publication News

‘I attended the Complete Creative Writing Course Summer School in 2016. I already had a strong story-line with well-developed characters, but in talks, workshops and exercises – not forgetting a trip to the nearby National Portrait Gallery – I learned the craft of putting it together into a readable and sellable work of fiction. I particularly remember needing to work on point-of-view and going away and substantially rewriting the book to incorporate what I had learned.’

https://www.writingcourses.org.uk

The Seaborne, the first book of the Island trilogy by A.G.Rivett, is published by Wordcatcher and is on sale from 7 November 2019 at £9.99

https://www.waterstones.com/book/the-seaborne/a-g-rivett/9781789421781

Mslexia Open Submissions

It’s time to see your name in print – send us your previously-unpublished submissions for inclusion in Mslexia. There are 14 opportunities to submit for women writers of all specialisms – poetryfiction and non-fiction, with four slots kept solely for subscribers to the magazine. There’s something to tickle any writer’s creative fancy  – if you’re wondering if it’s worth your while? Check out our writers’ success stories…

Appearing in Mslexia is one of the best ways to get onto the publishing ladder. Work is commissioned by prominent authors and talented newcomers alike, so there’s nothing to lose and a lot to gain. Browse the categories below to find out more about the themes and subjects we’re looking for.

Novel Called Patience Published 4,581 Days After It Was Begun

by Toby Litt

You may have heard that I’ve written a novel called Patience, and that I started it over twelve and a half years ago – you may know this because, recently, I’ve been doing my social media dance to alert as many readers as possible to the fact it exists.

Today, it exists.

Me with Hawthorn 2017-04-06 15.40.07

Me, looking happy

I realise that seeing other writers boosting themselves can be depressing. I won this prize. I’m on this shortlist. I got this book deal. And it’s tough when that little air-punch comes in on a day you get a rejection, or are just generally feeling crap.

I realise this because, most of the time, I’m on the other end. The not-boosting end.

Although I’ve covered some of this in Wrestliana, the memoir I published last year with the great Galley Beggar Press, I’d like to say a little about why Patience is so important to me.

Quite a few of my other books have gone out of print. CorpsingdeadkidsongsGhost Story. (Some secret plans to bring them back, however.)

Of the previous three novels I’ve completed, only one has found a publisher.

Lilian’s Spell Book was self-published.

My Mother’s Seven Spirits Demand Justice was rejected all over.

Notes for a Young Gentleman was published by Seagull Press. (Who are great.)

This is embarrassing to confess. I liked all these three books, as I was writing them. I believed in them. They overtook me, and then they left me. I think they’re good books.

But Patience feels different. Better.

I’ve written a lot about writing. What I think is bad writing, good writing and better than good writing. Some of this is in the collection Mutants. A lot of it is in the lectures I’ve given at Birkbeck. But not all of the writing I’ve done has seemed to fit with these public statements. I’ve said one thing but seemed to be doing another.

Patience is where the two come together.

For some reason, it feels as if this book should go out into the world and get far away from me and from anyone who knows anything about me. It feels like it should have a life of its own.

That’s mainly because the narrator, Elliott, is such a special character – and writing as him made me write better than I have before. With more attention; with more compassion.

The reaction from the first few readers has been all that I hoped. I’m not going to quote them. (Todd McEwen’s review is here.)

I rarely feel that I’ve done my best. With Patience, I’m still trying to think – months after I finished – how I can come close to matching it.

I’m happy that, today, it’s available to read. I hope you’ll give it a chance – and pass it on to someone else, if you enjoy it.

Caring for Your Introvert

https://www.theatlantic.com/magazine/archive/2003/03/caring-for-your-introvert/302696/

Do you know someone who needs hours alone every day? Who loves quiet conversations about feelings or ideas, and can give a dynamite presentation to a big audience, but seems awkward in groups and maladroit at small talk? Who has to be dragged to parties and then needs the rest of the day to recuperate? Who growls or scowls or grunts or winces when accosted with pleasantries by people who are just trying to be nice?

If so, do you tell this person he is “too serious,” or ask if he is okay? Regard him as aloof, arrogant, rude? Redouble your efforts to draw him out?

If you answered yes to these questions, chances are that you have an introvert on your hands—and that you aren’t caring for him properly. Science has learned a good deal in recent years about the habits and requirements of introverts. It has even learned, by means of brain scans, that introverts process information differently from other people (I am not making this up). If you are behind the curve on this important matter, be reassured that you are not alone. Introverts may be common, but they are also among the most misunderstood and aggrieved groups in America, possibly the world.

https://www.theatlantic.com/magazine/archive/2003/03/caring-for-your-introvert/302696/

12 UK Literary Agents Seeking New Writers!

 

Here are twelve UK literary agents actively seeking clients. All are from reputable literary agencies with solid track records. They are seeking a wide variety of genres, including literary fiction, memoir, narrative nonfiction, scripts, fantasy, children’s literature and much more.

Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists.

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients

________________________

Ms. Laura McNeill of Peters Fraser & Dunlop

Laura McNeill is an Associate Agent in the Books Department at Peters Fraser and Dunlop. After completing a degree in Classics at Oxford University, she worked with pre-1650’s books and manuscripts in the antiquarian book trade, and briefly as a magician’s assistant, before joining PFD in 2015. She works closely with Tim Bates and Annabel Merullo across all their titles, and looks after the UK & Commonwealth rights for New Directions, the New York based independent publishing house, on behalf of Tim.

What she is seeking: She is currently building her own list and is on the look out for new voices and ideas. She is particularly interested in non-fiction, but encourages submissions of all types and genres.

How to submit: Please send the first three chapters of your novel or non-fiction project, as well as a full synopsis. In the body of the email, please write a covering letter, including brief details about your writing career. lmcneill@pfd.co.uk

________________________

Ms. Megan Carroll of Watson, Little Ltd

Megan graduated from Goldsmiths with a BA in English and American Literature in 2013 and worked as an intern at Watson, Little and Caroline Sheldon Literary Agency before returning to the agency as the assistant in July 2014. She is now an Associate Agent and is building her own list.

What she is seeking: Megan is looking for commercial fiction & reading group fiction with original voices and an interesting hook, YA with realistic themes and characters, memoir and good narrative non-fiction writing on film, popular culture and issues from a female perspective. She’s especially keen on finding debut authors as well as growing a list of talented illustrators. Megan is also interested in discovering new, diverse, quirky and imaginative voices across all ages in Children’s Fiction.

‘I’d love to find a regional family drama with multiple voices, generations and realistic characters — think East is East meets Parenthood — and I’m keen for more stories about sisters or mothers and daughters. If you’re writing funny, female focused MG, I would love to read it. Psychological thrillers are not for me but I’d love to see a female led police procedural or a Big Little Lies-esque mystery.’

How to submit: Send all queries to submissions@watsonlittle.com. For fiction, send approximately 10,000 words or the nearest equivalent. Please send this as a single document, taken from the beginning of the book. For non-fiction send a proposal.

________________________

Ms. Florence Rees of A.M. Heath & Co. Ltd

“I love that feeling of having to read one more chapter. Characters (real or fictional) can stay with me for years. I’ve spent memorable hours weeping over the last pages in the beautiful, heart-wrenching memoirs of Paul Kalanthi’s When Breath Becomes Air and Cathy Rentzenbrink’s The Last Act of Love. It’s not limited to non-fiction though. Marian Keyes’s character, Amy, from The Break had me imagining my life had my (non-existent) husband of twenty years left me for a gap year. I read Queenie by Candice Carty-Williams recently and felt such empathy for Queenie, who is just trying to live her life as best she knows how. Aren’t we all?”

What she is seeking: Fiction, memoir, fantasy.

How to submit: Use their online submission form HERE.

________________________

Ms. Charlotte Seymour of Andrew Nurnberg Associates Ltd

After graduating from Oxford with a degree in French & Italian, Charlotte worked as a literary scout at Eccles Fisher Associates. In April 2015, she joined Andrew Nurnberg Associates, where she handles English-language rights and is actively building a list of fiction and non-fiction.

What she is seeking: In fiction, Charlotte is looking for stories that grip and move her, be they nail-biting and suspenseful, funny and uplifting or heart-breaking. She loves beautiful writing that crosses boundaries, whether geographic or linguistic or in bringing a twist to a genre. She has a penchant for the dark and haunting, and occasionally a hint of the speculative or uncanny. She is always on the hunt for a great love story.

In non-fiction, she is looking for accessible, engaging writing on a range of subjects including popular science, social and environmental issues, linguistics, social and cultural history, nature, food and cookery, and popular culture. She especially loves hybrid books, for example, when in a memoir, the personal is interwoven with a bigger story or subject.

Charlotte enjoys working editorially with her authors, bringing existing projects to fruition and helping come up with new ideas. As well as championing literature in translation, she is eager to see more submissions from new and original voices in English from around the world.

How to submit: Please send your query letter and a 1-page synopsis (attached) and the first three chapters or 50 pages (attached); For non-fiction proposals, please send an overview, chapter outlines and three sample chapters. Send to: submissions@nurnberg.co.uk

________________________

Ms. Meg Davis of Ki Agency

Meg worked in the theatre and in bookselling before becoming an agent. After some years at MBA, she started Ki Agency in 2011 to represent authors and scriptwriters. Meg’s work for her clients is informed by her involvement behind the scenes, previously as co-Chair of the Dramatists’ section of the PMA, on the management board of Public Lending Right, and as the external examiner for the MA in Scriptwriting course at Sheffield Hallam. She is currently Chair of the Writers’ Organisations Advisory Group, and serving a third term on the committee of the Association of Authors’ Agents.

What she is looking for: Meg is happy to consider scripts in all genres, and books in some genres, especially genre fiction. Not a good bet for fiction that might be considered to be wearing a cardigan, or which is narrated by an animal.

How to submit: Please send scripts for film, TV and theater as a PDF file. For books, send a full synopsis and the first 3 chapters/50 pages as a doc file or PDF to meg@ki-agency.co.uk.

________________________

Ms. Jennifer Christie of Graham Maw Christie Literary Agents

Jennifer worked in marketing and advertising for 12 years, and as a literary agent for 13 years. Starting in PR ( The Rowland Company, Saatchi & Saatchi), she moved into advertising (TBWA, Ogilvy and Mather) and then journalism (BBC and freelance). She has also worked as a ghostwriter.

What she is seeking: Memoir, autobiography, parenting and self-help to popular philosophy, science, food, creativity, history and smart thinking

How to submit: Please email your submission to submissions@grahammawchristie.com with the title of your work in the subject header and the word ‘submission’. See the website for details.

________________________

Ms. Jane Gregory of David Higham Associates Ltd

After thirty years of running her own literary agency, Jane, her team and all her authors were delighted to join the like-minded agents and colleagues at DHA in January 2018. Before setting up as an agent, Jane was a Rights and Contracts Director for publishers. In the past, Jane has been on the Virago advisory panel; co-founded ‘Women in Publishing’; produced, directed and co-wrote several publishers’ pantomimes; and was a co-founder of The Women’s Prize for Fiction (previously Orange and Baileys Prize). She also co-founded, and is currently still on the committee of, the Theakston’s Old Peculier Crime Writing Festival, Harrogate.

What she is seeking: Jane Gregory represents authors of crime, thrillers, psychological suspense, historical and literary fiction. She works closely on all editorial matters with Stephanie Glencross.

How to submit: Please send a one-page synopsis that gives a full explanation of the plot, and the first three chapters or up to fifty pages (double spaced). Read submission details HERE.

________________________

Mr. Jamie Maclean of Coombs Moylett MacLean Literary Agency

Educated at Edinburgh College of Art, Jamie was fortunate enough to join the pilot scheme of the Sotheby’s Works of Art Course. Subsequently he worked for Sotheby’s and briefly ran the newly formed Victorian paintings department before moving to Michael Parkin Fine Art, a gallery specializing in modern British art. His next job was at Wildenstein & Co, the international art dealers. Three years later he set up his own dealership, the Maclean Gallery, holding exhibitions of paintings, drawings and prints from the 18th century to the present day, for which he produced several catalogues. In 1985 he curated the first exhibition of erotic art to be held legally in the UK.

What he is seeking: Jamie specialises in both fiction and non-fiction and is particularly interested in sexual politics, relationship, lifestyle how-to’s, erotica, thrillers, whodunit and historical crime.

How to submit: Use their online form HERE.

________________________

Ms. Cara Lee Simpson of Jonathan Clowes Ltd

Cara Lee Simpson joined the agency in 2016, after working as a literary agent and a freelance literary scout. She is interested in submissions for bold literary and upmarket fiction — anything with a compelling narrative voice and a new way of seeing the world.

What she is seeking: At the moment she is on the lookout for memoirs by women with a feminist edge, books that explore gender politics and sexuality, and more fiction from BAME and working class perspectives. She’s also looking for nature writers who do something different with the genre, and for accessible psychology and popular science books. Adult submissions only please.

How to submit: Send a query, synopsis and three chapters (or an equivalent sample) to cara@jonathanclowes.co.uk.

________________________

Ms. Sophie Gorell Barnes of MBA Literary Agents Ltd

Sophie studied theatre and television and worked as a researcher for several years on factual programmes and for the COI. She has written children’s books for Macmillan Education, reviewed theatre and worked on magazines as a sub editor. She joined MBA at the end of 1993 and moved to agenting original and talented children’s writers, working on picture books to YA fiction. She also agents writers for theatre, adult non fiction and handles audiobook rights for MBA.

What she is seeking: She is looking, in particular, for slick and humorous middle grade fiction.

How to submit: Please send the first three chapters and a synopsis as attachments and a covering letter in the body of the email. All attachments must be in Word, PDF or Final Draft format. Please e-mail all submissions to submissions@mbalit.co.uk marking your email for the attention of the relevant agent.

________________________

Lucy Morris of Curtis Brown

Lucy Morris joined the Curtis Brown Books Department in September 2014 from Bloomsbury Publishing.

What she is seeking: She is actively building her list of reading group and literary fiction, narrative non-fiction and memoir.

“In fiction, I look for books with heart and humour, brilliant social observation and clever storytelling. I’m on the hunt for a great returning detective like Kate Atkinson’s Jackson Brodie or Susie Steiner’s Manon Bradshaw. I’d also be keen to find some stylish suspense in the vein of Patricia Highsmith. Stories about families are guaranteed to pique my interest. I’m a huge fan of Liane Moriarty, and some other recent favourites include Ayobami Adebayo’s Stay With Me, Tin Man by Sarah Winman, and Katherine Heiny’s outstanding short story collection Single, Carefree, Mellow.

In terms of non-fiction my tastes are pretty broad, but I am always drawn to memoir, the professional and the personal, beautifully written stories told with wit, warmth and precision. I was entranced by Henry Marsh’s Do No Harm as the study of an expert nearing the end of his career but still in awe of his subject, and I often return to Nigel Slater’s utterly delightful Toast. Other favourites include Maggie O’Farrell’s I Am, I Am, I Am and Tara Westover’s Educated.”

How to submit: Use their online form HERE.

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Ms. Seren Adams of United Agents Ltd

Seren Adams worked at Granta and Foyles before joining United Agents in 2015. As well as assisting Anna Webber, she is building her own list. She is looking for excellent short fiction, unconventional literary novels, and narrative non-fiction.

How to submit: When submitting please send the following: 1) A cover letter introducing yourself and your work, 2) A one to two page synopsis, 3) The first three chapters of your novel or a non-fiction book proposal to SAdams@unitedagents.co.uk.

 

https://www.linkedin.com/content-guest/article/12-uk-literary-agents-seeking-new-clients-now-erica-verrillo?fbclid=IwAR0eSAFDdSEbG7B6K5qgssTSM78xBoOWO1fLGIGv7sm9o6h5cVMa1n6ETiM

Mslexia Fiction Competition 2019

Why enter? According to a recent survey of women shortlisted in our novel competitions…

…50% had their shortlisted books published.

…80% signed with literary agents.

…100% said being shortlisted changed their writing career.

In this year’s competition, there are three categories: full-length novel, short story and flash fiction. The roster of prizes for both winners and finalists comprises guaranteed agent representation, professional feedback, a generous cash prize pot, career mentoring, a writing retreat, pitching workshop, personal introductions to agents and editors – plus prestigious publication in Mslexia magazine.


The Fiction Desk – Short story submissions deadline end of this month!

Short story submission deadline: Monday, 30 September.

Our current submissions period closes at the end of this month. Whether you’re thinking of sending us a general submission or have something special planned for our ‘Houses & Homes’ theme, there are just a few weeks left to get your work to us.

The deadline for both calls is midnight (UK time) on Monday, 30 September.

To submit a story, we recommend following these three steps:

1) If you’re not already familiar with our anthologies, pick up a copy. Every magazine and anthology series is different, and if you’ve read us, you’ll have a much better idea of the kind of story we’re likely to accept for publication. Start with our latest volume, Somewhere This Way (see below).

2) Read our submission guidelines, which will tell you what you need to know about word counts, rights, payment, and response times. There are also dedicated pages with more information about our general submissions call and our Houses & Homes theme.

3) Send us your work! All submissions should be made through our online form, which you’ll find here.

9 Ways to Guarantee Your Novel Will Be Published, by Toby Litt

If you can’t do Step 9 immediately, go back to Step 8. If you can’t do that, go back to Step 7, and so on.

9. Get a Publisher

Your typescript is ready to go. It’s just great. You can do nothing more to improve it. Your Agent (see 8) agrees. Send it out in full confidence. Await contract.

8. Get an Agent

Your typescript is ready to go. You by yourself can do nothing more to improve it, not that you can see. Send it off to a carefully selected Agent or five, and hope. (Or, if you’ve already tried all the Agents you can think of, try small presses directly.)

7. Tell a Great Story

By great story, I don’t necessarily mean twisty thrillery post-apocalyptic S/M love triangle with car chases and nukes. I mean something that will bear re-reading as well as reading. Something that changed you as you wrote it, and will change readers as they read it (not in a schmaltzy way). Something that can fascinate someone who has read a lot of stories. Something with grain as well as heft.

6. Learn to Tell a Great Story

You can only do this by writing not-great stories, thinking they’re great, going back to them, realising they’re not, starting again. Many times. Getting past number 6 may take you years, or decades. Or you may never make it past. Or you may skip from 4 to 8. Some lucky/unlucky writers do. But there is no wasted effort. Just as there are no short cuts. Frequent returns to 0 are necessary.

5. Learn What a Great Story Is

Read the books that trouble other writers. Read Ulysses. Read Emma. Read The Prime of Miss Jean Brodie. Read One Hundred Years of Solitude. Read My Life in the Bush of Ghosts. Be troubled. Read the stories that it’s hard to recover from. Franz Kafka’s ‘In the Penal Colony’, Flannery O’Connor’s ‘Good Country People’, John Cheever’s ‘The Swimmer’, Lorrie Moore’s ‘People Like That Are the Only People Here’. Then recover from them, somewhat.

4. Learn to Tell a Story Quite Well

This might involve taking a Creative Writing MA or MFA, or joining a local writing group, but it might also be you, at home, or in any warm place you can find, figuring out the basics of taking the reader by the hand, not squeezing too tight, not letting go, not dissolving it in acid and cackling with manic laughter, but leading them to where they didn’t expect to go.

3. Learn What a Good Story Is

Read. Read anything. Then read some more. Then re-read. Then read what has been written about the thing you just read. Then fall completely under the influence of a writer you’ve discovered for three months or more. Then hate them. Then sneakily look at them again, years later, and realise they do have some virtues. Every good writer is a great reader.

2. Learn to Tell a Story Badly

This can be difficult. Try to revel in being incompetent. Look around and figure out what most annoys you in the work of writers you don’t like. Have a go at doing what they do, but with glee and manic energy. Then read this out to a couple of friends. Then leave it behind forever. Time for

  1. Learn to Punctuate and to Present Your Work Attractively

If you don’t do both these things, you stand a very small chance of being published. You will get better at both if you pay attention whilst doing 3. (If you are dyslexic, or have other issues with punctuation and presentation, use grammar- and spellcheck. Get someone to proofread your work. Don’t think it’s not important, or that someone will do this for you later, because they’re so impressed by your storytelling.)

0. Have patience.

https://tobylitt.wordpress.com/2019/07/31/9-ways-to-guarantee-your-novel-will-be-published/

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